
Self-portrait -Digital Photography
© Copyrighted
Ari Archer
composer, musician,
teacher & photographic artist


kind words
“Artist with rare interdisciplinary fluency.”
— Private Comment
“The photographs you sent are a wonder to behold… I can judge by intuition a gifted photographer. You are it. For sure.”
—Professor Norman Finkelstein
Having known Shahryar for almost two decades, I have been following his artistic pursuits with enthusiasm and admiration. Shahryar's art is informed by his exceptional level of cultural literacy and his vast knowledge and understanding of musical arts, poetry, and life itself, making him the living example of what I could best describe as "ein gebildeter Mensch." His portraits act as points of expressive significance, captured with a keen sense of observation and perceptiveness. Together, these points constitute a constellation within which the inner life and temporality of a character unfold visually. Seeing the result of his work is always guaranteed to spark a — at least, momentary — desire for introspection and recalibration of one's sense of self. This way, Shahryar invites his audience to indulge in a genuine experience of the sublime.
—Shayan Mokhtarani
biography
Ari Archer (b. 1990, Iran, born Shahriyar Farshid / شهریار فرشید) , is a New York-based composer, teacher, pianist, photographic artist, calligrapher, polyglot, Aikido and Kyudo practitioner. He is the Visionary, Director, Lead Curator, and faculty member for Music and Visual Arts at the Kārgāh; center for creation, preservation and curation of music and arts in New York City. In addition Ari is the Director of Photography and Audiovisual Media at Flatverse Studio Brooklyn. As an artist his works comprises of instrumental/vocal solo ensemble works, electroacoustic works, audiovisual and mixed media, photographic arts, calligraphy, prints as well as multimedia installations. Trained as a Classical Compser, Ari started learnin piano at 9, later pursuing piano at Tehran’s prestigious Honarestan-e Musighi (Tehran Conservatory of Music) where he also received lessons in composition and theory. He moved to Yerevan to continue his studies in at the Komitas Conservatory, studying composition with Artur Avanesov and received private lessons from Vache Sharafyan, in addition he refined his musical skills such as orchestration, harmony, counterpoint, ear training, fugue, musical form, and analysis with Ashot Ghazarian. In 2010, Ari was admitted to the Mozarteum University in Salzburg, where he further developed his voice as a composer. His principal mentors were Reinhard Febel and Christian Ofenbauer. He also studied electronic music, audiovisual media, and computer-assisted composition at the Studio für Elektronische Musik under Achim Bornhöft. Additional studies included conducting (Wolfgang Niessner), piano (Tünde Kurucz), music theory (Franz Zaunschirm), orchestration and instrumentation (Klemens Vereno), form and analysis (Klaus Ager), musicology (Wolfgang Gratzer), and counterpoint and fugue (Klaus Feßmann). Ari has participated in masterclasses and private instruction with renowned composers including Helmut Lachenmann, Chaya Czernowin, Beat Furrer, Enno Poppe, Thomas Larcher, and Georg Friedrich Haas, among others. His music has been performed internationally by ensembles and soloists such as ensemble recherche, Kairos Quartet, Phorminx, Marino Formenti, and Gertrud Steinkogler, with appearances at festivals including Wien Modern and Salzburger Dialoge. A primarily self-taught photographer, Ari was first mentored by his late brother—a calligrapher, poet, graphic designer, and visual artist. He later refined his craft through private studies in aesthetics theory and photographic technique and completed advanced programs at the International Center of Photography in New York. His deep background in classical and contemporary music profoundly shapes his photographic vision—particularly his sensitivity to light, balance, and movement. Ari’s portraiture draws on a broad lineage of visual tradition, from ancient Egyptian art to contemporary photography. His studio work focuses on intellectually and artistically fluent individuals—musicians, authors, thinkers, and performers—capturing their presence with nuance and expressive clarity. Once he wrote: "My experience as an artist is shaped by a life lived across languages, the study of diverse musical traditions, and a deep engagement with literature, poetry, and personal memory." Originally from Tehran, Ari has lived in Yerevan, Salzburg, Los Angeles, Beverly Hills, and Sacramento. A devoted polyglot, Ari speaks Armenian, English, German, and Farsi fluently, and has some knowledge of Arabic and other languages. Outside his artistic work, he enjoys rollerblading and the disciplined practices of Aikido and Kyudo—pursuits that embody the same flow, harmony, and intentionality that define all aspects of his creative life.
Vision

Statue of Ludwig Van Beethoven at Prospect Park - Brooklyn, Digital Photography
© Copyrighted
Kārgāh
Center for Preservation and Mediation of Music and Arts in New York, NY.


philosophy
Kārgāh is an independent space for creative work, reflection, and learning—dedicated to the preservation, education, and exploration of music, visual, and multimedia arts. Tucked away in a modest Brooklyn studio, it offers a quiet, welcoming ground for intimate performances, meaningful dialogue, and cross-disciplinary experimentation. Located in Flatbush near Prospect Park, Kārgāh operates out of a 350-square-foot studio equipped with a piano, multichannel audio workstation, and projector. Despite its size, it serves as a dynamic venue for solo recitals, chamber performances, and audiovisual presentations. Education is a central part of Kārgāh’s mission. The space offers both foundational and advanced courses in music, covering topics such as notation, instrumentation, and ear training. One-on-one lessons are also available, including piano instruction and individualized mentorship in composition. Kārgāh also hosts a series of talks featuring composers, performers, and thinkers across disciplines—conversations that may eventually evolve into a public podcast, extending the exchange beyond the studio walls. A key offering is the Listening Circle—inspired by the spirit of literary tertulias—where participants come together to engage with music on a deeper level. These gatherings involve score study, philosophical discussion, and historical exploration across musical epochs. Finally, Kārgāh will become the new home of Unsold—a weekly Tertulia in the German language with a four-year history and nearly 200 gatherings. Born of a quiet rebellion and a shared resistance to the commodification of art, life, and truth, Unsold offers a space for honest conversation, critical reflection, and the cultivation of a deeper cultural awareness.
meaning
The Persian element گاه (gāh) originates from Old Persian, where it generally signified “time” or “occasion.” In modern usage, it functions as a suffix that can denote a specific period or location, and it is versatile in forming compound words. Here are a few notable examples: کارگاه (kârgâh): This word combines کار (work) with گاه (time/place) to literally mean “a place for work,” which has come to signify a “workshop” or creative studio. سحرگاه / شامگاه: In words like سحرگاه (dawn) and شامگاه (evening), گاه is appended to time-related roots (سحر for dawn, شام for evening) to indicate a distinct period of the day. آگاه: Although آگاه means “aware” or “conscious,” it also reflects the use of گاه as a formative element in Persian. In this instance, the suffix contributes to an adjective that denotes a state of timely or informed awareness. بیگاه (and similar forms): While less common, words like بیگاه illustrate further the morphological flexibility of گاه. They serve as examples of how the element can be integrated into new formations, even though their precise meanings might vary or be more context-dependent. In summary, کارگاه (workshop) is a compound derived from کار (work) and گاه (time/place), underscoring its meaning as “a place where work is done” or “a creative space.” This pattern of word formation—merging a root with گاه to indicate a temporal or spatial setting—is a notable feature of Persian linguistic creativity.
More information will soon be available at:
www.kargah.org
composer
This section is under development!
recordings
writings
score fragments
photographic artist
limited edition fine art prints

From Prospect park series © Shahriyar Farshid

from 'ways of the punctured' series © Shahriyar Farshid
Portraiture

© Shahriyar Farshid

Hannah Vinzens © Shahriyar Farshid

Norman Finkelstein © Shahriyar Farshid
Contact:
contact[at]ariarcher.com
Work phone number: 424-324-7972 (text and calls)